Harvey Mandel

Bio-1_copyFrom:  Chicago, Illinois

Born in Detroit, Michigan in 1945 and raised in Chicago, Harvey had a brief stint playing bongos before switching to guitar. He used little Fender amps at first, using different tricks, and eventually used an all-tube, low quality Bogan PA amplifier. It had the greatest natural sustain, according to Mandel. Mandel became the original guitarist with Charlie Musselwhite, releasing the debut album Stand Back! in 1966. Effortless sustain, multi–string bends, a slightly distorted tone always bordering on feedback and herky-jerky stuttering phrases balanced with long, melodic line—radical ideas the blues world had never seen tied into such a neat, well-executed package. And what made Harvey’s unique vision all the more remarkable was that he not only progressed at a faster rate than his peers but accelerated past the guitar technology available at the time. “I never tried to copy,” Harvey explains. “I learned from the blues players I was jamming with, as far as the technique and the notes, but I always had my own sound in my head. I mean, I heard the guitar the way you hear it today, and even the sound when Hendrix first came out, long before I could ever even dream of playing that stuff. I knew where guitar was going 20 years before it got there. I knew that eventually guitar technique would equal horn players and keyboard players: it was just a matter of training.” As a result of heavy airplay in San Francisco, they were invited to play the Fillmore by the late great Bill Graham.

Harvey Mandel relocated to the Bay Area, performing often at a club called The Matrix, where local favorites like Jerry Garcia and Elvin Bishop would sit in and jam. He then met up with renowned producer Abe ‘Voco’ Kesh, releasing his first solo album for Phillips/Mercury Records titled, Cristo Redentor in 1968, which included his extra-terrestrial version of “Wade in the Water,” still a classic to this day. Then the news arrived that Harvey Mandel had replaced Henry Vestine as lead guitarist of the legendary Californian R & B band Canned Heat, and it was clear that his talents had been noticed by more than just a few musicians. Harvey was in their dressing room at the Fillmore on the night that Henry Vestine quit the band. They asked guitarist Mike Bloomfield to join them for the first set, and Harvey to join them for the second set. Harvey’s third gig with the band was the Woodstock Festival in 1969! Harvey remained with Canned Heat for over a year in their heyday with slide guitarist/vocalist Alan “Blind Owl” Wilson, and singer Bob “The Bear” Hite. Harvey’s nickname, “The Snake,” given to him years before by keyboardist Barry Goldberg in Chicago (attributed to his cracked leather jacket and snake-like guitar licks), fit perfectly in the Canned Heat line-up.

Harvey_MandelAfter several tours with Canned Heat and 3 albums, including Future Blues, he was recruited by British blues man John Mayall to be a member of the Bluesbreakers, recording the adventurous album, titled USA Union. The band featured Mandel with Canned Heat bass player Larry “The Mole” Taylor, and legendary violinist Don “Sugarcane” Harris. Mandel also appeared on another significant Mayall album, Back To The Roots, on which Eric Clapton and Mick Taylor also guested. He left thereafter in 1972 and teamed up with Sugarcane Harris, forming the band Pure Food and Drug Act. Other PFDA members included Randy Resnick on guitar, Victor Conte on bass, and Paul Lagos on drums. They released 1 album on Epic Records titled, Choice Cuts. He resumed his solo career, releasing several more albums for Janus Records in the 1970’s including the classics, Baby Batter, The Snake, and Shangrenade, the ground-breaking record where Harvey employed 2-handed fretboard tapping. Mandel was one of the first rock guitarists to utilize this technique, years before Eddie Van Halen and Stanley Jordan came along.

Legendary guitar virtuoso Harvey Mandel, aka “The Snake,” truly one of the most distinctive and innovative musicians, continues to perform throughout the world, captivating audiences with his inventive style of electric guitar playing.

~ harveymandel.com

Tracks played on Psychedelicized…

From the 2010 album Cristo Redentur…Plus Selected Sessions

  • Wade in the Water
  • Bradley’s Barn
  • Which Witch Is Which